Slavistična revija

Ključne besede: slovenska književnost | literarna zgodovina | literarna kritika | literarna teorija

Sinopsis: Avtor razmišlja o lastnem metodološkem profilu, to je o literarnovednih postopkih, ki jih je uporabljal od 1980, njihovi utemeljitvi in mestu v slovenski literarni vedi. K literarnemu sistemu pristopa neselektivno ter je naklonjen empiričnim metodam in sodobni tehnologiji.

Abstract: The author reflects on his own methodological profile, i.e, the literary criticism procedures that he has used since 1980, their foundation and place in the Slovene literary criticism. His approach to the literary system is non-selective and open to empirical methosds nad modern technology.

Ključne besede: slovenščina | jezikoslovje | skladnja | slovenske slovnice | vezljivost | razvoj vezljivostne teorije | Slovene language | linguistics | syntax | Slovene grammars | valency | development of valency theory

Sinopsis: S pregledom slovenskih slovnic in nekaterih jezikoslovnih del predstavljam zgodovinski razvoj vezljivostne problematike, zlasti razvoj pomensko- in strukturnoskladenjske vezljivosti slovenskih glagolov, in ugotavljam, v kolikšni meri so naši slovničarji in jezikoslovci že uspeli opisati slovenske (predvsem strukturnoskladenjske) vezljivostne značilnosti. Pregled je namenoma kronološki, ker tako bolj jasno izpostavi nekatere zastranitve v razvoju vezljivostne teorije.

Abstract: With the survey of Slovene grammars and some linguistic works the author presents the historical development of the valency issues, particulary the development of the semantic and structural syntactic of Slovene verbs, and examines to which Slovene grammarians and linguists have succeeded in descibing Slovene (particulary structural syntactic) valency features. The survey is deliberately chronological in an attempt to more clearly point out some peripheral issues in the development of the valency theory.

Ključne besede: slovenska književnost | slvoenska proza | kriminalka | sodobna kriminalka | klasična kriminalka

Sinopsis: Slovensko kriminalko devetdesetih let lahko na način razreševanja identitete uganke, ubesedene v razkrinkovalni pripovedi, delimo na klasično in sodobno kriminalko. "Neklasična" sodobna kriminalka se od klasične razlikuje predvsemv suspenzu, saj v prvi detektiv ne išče več samo "ključev", zato se problem identitete z zgodbene ravnine prenaša na raven pripovednih postopkov - sodobna kriminalka se ne sprašuje le "kdo je zložinec", pač pa tudi "kaj je kriminalka". Čeprav je zločin še vedno temeljni vzvod pripovedi, ga formalni medbesedilni postopki navezovanja na literarno in filmsko kriminalno tradicijo obarvajo ironično ali humorno. Identitetna uganka, iskanje storilca, se je tako v sodobni slovenski kriminalki raztegnila na zasledovanje lastnih (pripovedovalčevih in žanrskih) indicev - njene žanrske razpoke so sodobno slovensko kriminalko prenovile in literarno oplemenitile.

Abstract: The Slovene mystery novel of the 1990's can be, with respect to the method of solving the identity puzzle, expressed in the unmasking narrative, divided into classical and contemporary mystery novel. "Non-classical" contemporary mystery novel differs from the classical particularly in suspense, as in the former the detective no longer searches for clues, therefore in indentity issue moves from the story plane to the plane of narrative processes., i.e., the contemporary mystery novel does not only ask the question " Who is the perpetrator?" but also "What is the mystery?" Even if the crime is still its pivotal point of the narrative, the formal intertextual processes of referenceto literary and cineatic tradition color it ironic and humorous. The identity puzzle, i.e., search for the culprit, was thus in the contemporary Slovene mystery novel expanded into pursuit ot its own (narrator's and genre's) indices-its genre deviations renovated and refined it from literary point of view.

Ključne besede: slovenščina | skladnja | zaimek | oziralni zaimki

Sinopsis: Razprava prikazuje kategorizacijo in razvrstitev oziralnikov ki in kateri v temeljnih slovenskih slovnicah od Bohoriča do Toporišiča in v ddveh najpomembnejših slovenskih slovarjih, tj. pri Pleteršniku in SSKJ. Kritičnemu ovrednotenemu historiatu raziskav se pridružuje poskus jezikoslovne obravnave teh oziralnih zaimkov v luči teorije prototipov.

Abstract: The paper presents the categorization and classification of Slovene relative pronouns ki and kateri in major Slovene grammars from Bohorič to Toporišič and in the two most significant Sloven dictionaries,ie., Pleteršnikʹs and SSKJ. A critical review of the history of research is accomoanied by an attempt of alinguistic treatment of these pronouns in the light of the theory of prototypes.

Ključne besede: slovenščina | poročanje | jezik | stil | reporting | language as a phenomenom | style

Ključne besede: slovenščina | slovenščina kot drugi/tuji jezik | polemike