Forgotten Fairy Tales of French Salon Women Writers
Keywords:
17th-century French salons, women writers, The Discreet Princess, Starlight, The Bee and the Orange Tree, Prince DwarfAbstract
The first literary tales emerged out of the 17th-century French salons, run by high-ranking aristocratic women, and served as a political manifesto. The salon women writers used the genre they created to promote a proto-feminist agenda. This included a rebellion against forced marriages and a withdrawal from the institution of marriage that circumscribed their freedom of movement, love, self-sufficiency and the right to their own literary voice. The female salon writers bestowed these rights on their fairy-tale female protagonists, creating a proto-feminist utopian world that sank into oblivion upon the authorsʼ exclusion from the canon.
References
Marie-Catherine d’Aulnoy, 2009: The Bee and the Orange Tree. Beauties, Beasts, and Enchantment: Classic French Fairy Tales. Ur. Jack Zipes. Maidstone: Crescent Moon, 2009. 417–37.
Madame d’Aulnoy, 1987: Pavji kralj in druge pravljice. Prev. Tadeja Krečič. Ljubljana: Mladinska knjiga.
Marius Barbeau: »French Folklore«. Dictionary of Folklore, Mythology and Legend, Volume 1. Ur. Maria Leach. New York: Funk & Wagnalis. Na spletu.
Ruth Bottigheimer, 2012: Fairy Tales Framed: Early Forewords, Afterwords, and
Critical Words. Albany: SUNY.
Ruth Bottigheimer, 2009: Fairy Tales: A New History. Albany: SUNY.
Lisa Brocklebank, 2000: Rebellious Voices: The Unofficial Discourse of Cross-dressing in d’Aulnoy, de Murat, and Perrault. Children's Literature Association Quaterly 25/3. 127–36.
Alexandra Cheira, 2014: A Fairy Godmother of her own 17th Century France: Subversive Female Agency in Madame d’Aulnoy’s ‘The White Cat’. Anglo Saxonica 30/8. 219–40.
Anne E. Duggan, 2008: Marie-Catherine d’Aulnoy (1650/51–1705). The Greenwood Encyclopedia of Folktales and Fairy Tales. Ur. Donald Hasse. Westport in London: Greenwood Press. 79–81.
Anne-Marie Feat, 2012: Playing the Game of Frivolity: Seventeenth-Century Conteuses and the Transformation of Female Identity. Journal of the Midwest Modern Language Association 45/2. 217–42.
Christine A. Jones, 2008: Madame d’Aulnoy Charms the British. The Romanic Review 99/3–4. 239–56.
Marie-Jeanne L’Héritier, 2009: The Discreet Princess, or the Adventures of Finette. Beauties, Beasts, and Enchantment: Classic French Fairy Tales. Ur. Jack Zipes. Maidstone: Crescent Moon. 77–94.
Henriette-Julie de Murat, 1996: Starlight. Wonder Tales. Ur. Marina Warner. New York: Farrar, Straus, Groux. 149–87.
Henriette-Julie de Murat, 2012: To the Modern Fairies. Fairy Tales Framed. Ur. Ruth Bottigheimer. Albany: SUNY Press. 203–04.
Karen E. Rowe, 1986: Feminism and Fairy Tales. Don’t bet on the prince. Ur. Jack Zipes. Aldershot: Gower. 209–66.
Gayle Rubin, 1975: Traffic in Women: Notes on the ‘Political Economy’ of Sex. New York: Monthly Review.
Lewis Seifert, 1996: Fairy Tales, Sexuality, and Gender in France, 1690-1715: Nostalgic Utopias. Cambridge, New York: Cambridge University Press.
Lewis Seifert, 2008: Feminist Tales. The Greenwood Encyclopedia of Folktales and Fairy Tales. Ur. Donald Hasse. Westport in London: Greenwood Press. 338−40.
Dorothy R. Thelander, 1982: Mother Goose and Her Goslings: The France of Louis XIV as Seen through the Fairy Tale. The Journal of Modern History 54/3. 467–96.
Marina Warner: 1996. Introduction. Wonder Tales. Ur. Marina Warner. New York: Farrar, Straus, Groux. 1–7.
Marina Warner: 1995. From the Beast to the Blonde: On Fairy Tales and their Tellers. London: Vintage.
Jack Zipes, 2009: The Rise of the French Fairy Tale and the Decline of France. Beauties, Beasts, and Enchantment. Ur. Jack Zipes. Maidstone: Crescent Moon. 1–13.
Downloads
Published
How to Cite
Issue
Section
License
Slavistična revija (http://www.srl.si) is distributed under
Creative Commons, attribution 4.0 international.
Slavistična revija publishes fully open access journals, which means that all articles are available on the internet to all users immediately upon publication. Non-commercial use and distribution in any medium is permitted, provided the author and the journal are properly credited.