Nadrealistična sinteza Srečka Kosovela

Abstract

The paper attempts to show the conception of Kosovel's early lyric poetry in the expressionistic tradition, and based on that, to refute the impressionism as its possible inspirational model. Proceeding from the expressionistic metaphysic of Kosovel's early texts, it argues with the thesis about the constructivistic nature of Integrali (Integrals), and places its genesis in the framework of surrealism. Considering the absolute synchrony of the volume with the beginning of the surrealism as such, it points out its relevance in the broadest sense.